[{"data":1,"prerenderedAt":267},["ShallowReactive",2],{"site":3,"variant-sediment-iii":26,"works":76},{"id":4,"domain":5,"email":6,"extension":7,"footerNote":8,"location":9,"meta":10,"name":11,"nav":12,"role":17,"socials":18,"stem":19,"tagline":20,"variantIndex":21,"__hash__":25},"site\u002Fsite.yml","filipenkovaite.com","filipenkovaite@gmail.com","yml","© Emilija Filipenkovaitė. All works remain the property of the artist.","The Netherlands",{},"Emilija Filipenkovaitė",{"works":13,"about":14,"contact":15,"variants":16},"Works","About","Contact","Index of directions","Transdisciplinary artist",[],"site","Emilija Filipenkovaitė is a Lithuanian artist working across experimental film, sound, and performance.",{"kicker":22,"intro":23,"hint":24},"filipenkovaite.com — design directions","An index of takes on one portfolio, each drawn from Rare Matter (2026) — a film about ice that melts and sinks, forming nearly invisible shapes that can only be discovered through touch or a shifting background.","Move slowly. Some things only appear when the background shifts.","kbk7ibkZjHH7YkJ9qg6SXm_Ql_CHLDtV4E3arHzsVeg",{"id":27,"title":28,"concept":29,"extension":7,"family":30,"footer":31,"home":32,"meta":35,"order":36,"scene":37,"slug":64,"stem":65,"ui":66,"__hash__":75},"variants\u002Fvariants\u002F20.sediment-iii.yml","Sediment III","The pebble bed given the whole frame — no headline, the water takes the spotlight.","touch","© Emilija Filipenkovaitė 2026",{"heading":11,"sub":33,"featured":34},"Discovered through touch, or a shifting background","rare-matter",{},20,{"shader":38,"paletteA":39,"paletteB":48,"blend":57,"refraction":60,"blobs":61,"grain":62,"speed":63,"horizon":63},"sediment",{"skyTop":40,"skyHorizon":41,"land":42,"water":43,"depth":44,"band":45,"bandIntensity":46,"glint":47},"#dbe4de","#f3ecdf","#c8b494","#c0d1c8","#94866d","#d3a06f",0.6,"#ffffff",{"skyTop":49,"skyHorizon":50,"land":51,"water":52,"depth":53,"band":54,"bandIntensity":55,"glint":56},"#ccd8d4","#eae3d3","#b1a385","#a9c2bc","#7d715c","#bd9268",0.45,"#f2f8f4",{"driver":58,"period":59},"time",59,0.75,4,0.04,0.5,"sediment-iii","variants\u002F20.sediment-iii",{"theme":67,"font":68,"layout":69,"accent":70,"ink":71,"inkSoft":72,"surface":73,"line":74},"light","serif","spotlight","#7a4a2b","#241b13","#5a4c3c","#e9e1d2","#cfc2ae","G_Op0DXDHNgzu18DyRUvCKERMTndKcwLLyDldawDfm0",[77,136,173,218],{"id":78,"title":79,"body":80,"credits":97,"description":106,"duration":107,"extension":108,"history":109,"images":114,"links":124,"medium":125,"meta":126,"navigation":127,"order":128,"path":129,"placeholder":130,"role":124,"seo":131,"stem":132,"summary":133,"venue":124,"year":134,"youtube":124,"__hash__":135},"works\u002Fworks\u002F1.rare-matter.md","Rare Matter",{"type":81,"value":82,"toc":93},"minimark",[83,90],[84,85,86,89],"p",{},[87,88,79],"em",{}," observes a fragile phenomenon in which ice, instead of floating\non the surface, melts and sinks, forming nearly invisible underwater surfaces.\nThese fleeting forms can only be discovered through touch or a shifting\nbackground.",[84,91,92],{},"Moving between natural and digitally reconstructed environments, the work\nreflects on how rarity is not inherent to matter itself, but produced through\ncontext, attention, and the conditions of seeing.",{"title":94,"searchDepth":95,"depth":95,"links":96},"",2,[],[98,100,103],{"label":99,"name":11},"A film by",{"label":101,"name":102},"CGI technical advisor","Faysal Mroueh",{"label":104,"name":105},"Soundscape","Arghya Paramata","Rare Matter observes a fragile phenomenon in which ice, instead of floating\non the surface, melts and sinks, forming nearly invisible underwater surfaces.\nThese fleeting forms can only be discovered through touch or a shifting\nbackground.","3′21″","md",{"label":110,"items":111},"Selected screenings",[112,113],"2026 — Eye Filmmuseum, Amsterdam, NL","2026 — Sziget Festival, film programme, Budapest, HU",[115,118,121],{"src":116,"alt":117},"\u002Fmedia\u002Frare-matter-01.jpg","A glassy column of ice refracting a dark red horizon",{"src":119,"alt":120},"\u002Fmedia\u002Frare-matter-02.jpg","Still from Rare Matter",{"src":122,"alt":123},"\u002Fmedia\u002Frare-matter-03.jpg","A lake at dusk seen through nearly invisible ice",null,"3D render, single-channel video, colour, sound",{},true,1,"\u002Fworks\u002Frare-matter",false,{"title":79,"description":106},"works\u002F1.rare-matter","A fragile phenomenon in which ice, instead of floating on the surface, melts and sinks, forming nearly invisible underwater surfaces.","2026","Znxi-KkTSrRzEUUfb-Fiblp9TU1WHNQkAXRQSn_NIJk",{"id":137,"title":138,"body":139,"credits":151,"description":155,"duration":156,"extension":108,"history":157,"images":161,"links":124,"medium":165,"meta":166,"navigation":127,"order":95,"path":167,"placeholder":130,"role":124,"seo":168,"stem":169,"summary":170,"venue":124,"year":171,"youtube":124,"__hash__":172},"works\u002Fworks\u002F2.tinder-activist.md","Tinder Activist (I’ll Send Nudes)",{"type":81,"value":140,"toc":149},[141,146],[84,142,143,145],{},[87,144,138],{}," is an online intervention that examines\nhow digital spaces become sites of both political despair and resistance.",[84,147,148],{},"At the outbreak of Russia’s full-scale invasion of Ukraine in 2022, some\npeople turned to dating apps to reach Russian users, trying to share\ninformation and proof of war crimes out of the belief that Russians simply\ndidn’t know what was happening. Revisiting that moment of naive yet sincere\nbelief in people’s ability to do good, the work draws from real online\nexchanges where desire, propaganda, and fear coexist. It explores the tension\nbetween intimacy and ideology, action and inaction, and the fragile hope that\neven absurd gestures can provoke change.",{"title":94,"searchDepth":95,"depth":95,"links":150},[],[152,154],{"label":153,"name":11},"Concept, video and editing",{"label":104,"name":105},"Tinder Activist (I’ll Send Nudes) is an online intervention that examines\nhow digital spaces become sites of both political despair and resistance.","4′05″",{"label":158,"items":159},"Exhibition history",[160],"2025 — Neverneverland, Amsterdam, NL",[162],{"src":163,"alt":164},"\u002Fmedia\u002Ftinder-activist-01.jpg","Video still of women in uniform marching through a city square at dusk, subtitled “I don't know how old you are, but it's bizarre”","Single-channel video, colour, sound",{},"\u002Fworks\u002Ftinder-activist",{"title":138,"description":155},"works\u002F2.tinder-activist","An online intervention that examines how digital spaces become sites of both political despair and resistance.","2025","vcxA-o8BZ4BtFwisz02xQTS_UOVC6Py7mfAarit33Wc",{"id":174,"title":175,"body":176,"credits":191,"description":197,"duration":198,"extension":108,"history":199,"images":203,"links":124,"medium":210,"meta":211,"navigation":127,"order":212,"path":213,"placeholder":130,"role":124,"seo":214,"stem":215,"summary":216,"venue":124,"year":171,"youtube":124,"__hash__":217},"works\u002Fworks\u002F3.score-of-things.md","The Score of Things",{"type":81,"value":177,"toc":189},[178,183,186],[84,179,180,182],{},[87,181,175],{}," is a participatory music game in which chance determines\neach participant’s role within a shared performance.",[84,184,185],{},"Participants draw cards that randomly assign them to one of five instrument\ngroups, or to the role of conductor. Each instrument group follows its own\nline within a graphic notation score, interpreting it through movement,\ngesture, or voice while using costumes and objects from the existing\nexhibition as instruments. A randomly selected conductor leads the ensemble\nfrom a master score.",[84,187,188],{},"Each session produces a composition shaped by chance, collective\ninterpretation, and the participants themselves.",{"title":94,"searchDepth":95,"depth":95,"links":190},[],[192,194],{"label":193,"name":11},"Concept and score",{"label":195,"name":196},"Performed by","de Appel Visitors","The Score of Things is a participatory music game in which chance determines\neach participant’s role within a shared performance.","variable, approx. 15′",{"label":200,"items":201},"Created for",[202],"2025 — Museumnacht Amsterdam, CaccHho CucchhA, de Appel, Amsterdam, NL",[204,207],{"src":205,"alt":206},"\u002Fmedia\u002Fscore-of-things-01.jpg","Three participants wearing plush soft-sculpture instruments between orange plinths at de Appel",{"src":208,"alt":209},"\u002Fmedia\u002Fimg-2349.jpg","Group of people in blue leaf-shaped costumes gathered indoors; a woman in the center holds a bouquet.","Participatory performance, graphic notation score, role cards",{},3,"\u002Fworks\u002Fscore-of-things",{"title":175,"description":197},"works\u002F3.score-of-things","A participatory music game in which chance determines each participant’s role within a shared performance.","GrsRDHRTDFTH7DPuExjZIdBaorHaf-vK625Mjzi3mSg",{"id":219,"title":220,"body":221,"credits":236,"description":238,"duration":239,"extension":108,"history":240,"images":246,"links":124,"medium":259,"meta":260,"navigation":127,"order":61,"path":261,"placeholder":130,"role":124,"seo":262,"stem":263,"summary":264,"venue":124,"year":265,"youtube":124,"__hash__":266},"works\u002Fworks\u002F4.masterclass.md","Masterclass: The World of Emoji",{"type":81,"value":222,"toc":234},[223,228,231],[84,224,225,227],{},[87,226,220],{}," is a performance in which musicians\ninterpret a musical score composed entirely of emoji. Presented through the\nvisual language of a corporate masterclass, the work plays with the tension\nbetween instructions and creative autonomy: performers interpret the symbols\ncollectively, becoming co-creators of each iteration rather than simply\nexecuting a fixed composition.",[84,229,230],{},"Drawing from the tradition of graphic notation, the work uses standardized\ndigital symbols whose meanings remain unstable and context-dependent. Each\nperformance becomes an act of translation and reinterpretation, exploring how\ncommunication tools shape expression and meaning-making as symbols move\nbetween visual language, individual interpretation, and sound.",[84,232,233],{},"The score is projected live, allowing the audience to follow the same\nnotation as the musicians and form their own interpretations of the\nrelationship between symbol and sound. Each performance brings together a new\nensemble, formed exclusively from instruments represented within the Unicode\nsystem.",{"title":94,"searchDepth":95,"depth":95,"links":235},[],[237],{"label":193,"name":11},"Masterclass: The World of Emoji is a performance in which musicians\ninterpret a musical score composed entirely of emoji. Presented through the\nvisual language of a corporate masterclass, the work plays with the tension\nbetween instructions and creative autonomy: performers interpret the symbols\ncollectively, becoming co-creators of each iteration rather than simply\nexecuting a fixed composition.","approx. 7′",{"label":241,"items":242},"Selected performances",[243,244,245],"2023 — Pamėnkalnio Gallery, Vilnius, LT (premiere)","2023 — Mondo Bizzaro Film Festival, Skalvija Cinema Theatre, Vilnius, LT","2023 — Yaga Gathering, Ežeraitis Forest, Varėna, LT",[247,250,253,256],{"src":248,"alt":249},"\u002Fmedia\u002Fmasterclass-01.jpg","A gallery full of listeners facing the projected score, viola player at the side wall",{"src":251,"alt":252},"\u002Fmedia\u002Fmasterclass-02.jpg","Musicians on keyboard, flute, saxophone and viola performing beneath a projected emoji score",{"src":254,"alt":255},"\u002Fmedia\u002Fmasterclass-03.jpg","The audience watching the projected emoji score over the performers' heads",{"src":257,"alt":258},"\u002Fmedia\u002Fmasterclass-04.jpg","The ensemble standing before the projection wall as the audience applauds","Live performance, emoji-based musical score and projection",{},"\u002Fworks\u002Fmasterclass",{"title":220,"description":238},"works\u002F4.masterclass","A performance in which musicians interpret a musical score composed entirely of emoji.","2023","vgQ3mpIAo45grv-MTlCIloT1IWjzTECD9FkygBdGZLo",1786441962395]